Embrace world indigenous contextualised cultures and spiritual practices.
I am Aboriginal Butchulla, Gunggari and Jarrowia ancestry, and Irish blood. I grew up in a Christian household where most of my family led by mother and grandmother practicing our Christian faith.
After formal education and training at Wontulp Bi-Buya College for Christian indigenous students, I first came across learning about the importance of contextual relevance, contextualising the Christian Bible.
After Wontulp and stint as a Hospital Chaplain, I took up a position ministering in the local State Correctional Centre as a First Peoples Chaplain. It eventually led me to making the life altering decision in denouncing my faith, after realising the monopoly hold and influences by industrial corporative organised religions on spiritual matters.
One of the main reasons in supporting this idea was I felt I needed to step outside the churches shadow, hopefully to be fully present and able to work in the culture spiritual space without expectations and conditions held by the church.
Historically organised religions have been a detrimental force in undermining the relevance of culture and spiritual practices of indigenous peoples. Though through personal experience lately there has been somewhat improved relations and efforts in attitudes towards the cultural space.
“When culture is abandoned, we abandon God our Dreaming.”
People must remember indigenous people did not abandon or loose our culture, it was taken, stolen, and forbidden to practice.
God – The use of this word I am relating it to the many indigenous mythical beings and creatures depicted in indigenous cultures who are considered as their Creator. Who hold equal status and nature as we refer to God in other religions today.
Having spiritual characteristics, power and archetypal qualities that has guided our ancestral spiritual pathways for millennia, ie. The Rainbow Serpent, Creation spirits, stories, legends and other spiritual beings.
Produce highly innovative Signature Works that will push and extend the creative boundaries of artist’s practice.
Give audiences the opportunity to experience unique, contemporary modern art expression and dialogue.
Enable relative, unique perspectives concerning the conservation and preservation Earth’s natural environments.
Draw on proven world indigenous sustainable practices and knowledge, addressing issues of
corporative industrial agriculture and organised religion.
Through the aspirations of Spirit, the artist will continue to suspend audiences in timeless ritualised performance, emanating ancestral wisdom through symbolic gestures, sounds and visual themes crafted in momentary windows of participatory experience.
Spirit is close to my heart, the reintegration of indigenous cultures and spiritual practices. Advocating for allocated services and funds to resource culture education and training programs. Our culture and natural environments are suffering and are in constant threat because of influential constituted global corporative industrialism that ignores the importance of indigenous wisdom.
Traditional culture practices and beliefs supersede contemporaries…
At the moment it seems aboriginal authority, is like a guttered fish, empty and a lifeless corpse…
Capitalism the popularised global culture, morally and ethically poor when unregulated, detrimental to world traditional cultures.